Yes, Blues Traveler fended off challenges from such luminaries as Sponge, Bush, and Silverchair to take the title. Not that this is dated or anything. Since the days of that homemade mixtape, everyone from Jewel to Local H has had their year at the top of my list. Now it's time for The Wonder Years to pass the crown to 2014's champion. Here we go.
10. Counting Crows- John Appleseed's Lament
"Come on Adam, tell me, what the hell is wrong with you?" is probably something Adam Duritz has heard a lot in his life. When he echoes those words from a significant other in this song, it's just part of a self-portrait of a crazy guy who isn't entirely unhappy with being crazy. Ain't no matter where you find the circus. The circus is everywhere.
9. Sons of Bill- Bad Dancer
For me, "Bad Dancer" was the main bright spot on the new album from Virginian band of brothers Sons of Bill. This one track provides 100% of the rock on an otherwise super-mellow country album, but I'm just happy there was one song that reminded me of their unbelievably perfect record, "Sirens", from 2012.
8. Against Me!- Osama Bin Laden as the Crucified Christ
Everything about "Transgender Dysphoria Blues" is ambitious and explicit. This comparison of the treatment of trans folk to the treatment of war criminals ("You're gonna hang like Benito from the Esso rafters") is a standout among standouts. I don't think I totally got it until I was right in front of the stage as Laura sang it at the Aragon Ballroom this year, and then something clicked for me. The emotions and statements this album makes are not fun or easy to process, but I can't stop thinking that they're important. All that aside, it just rocks harder than almost anything I heard this year.
7. The Dollyrots- Love Ya, Love Ya, Love Ya
In some worlds, both the last song and this one are considered punk, but that's pretty much where the similarities end. This is bassist/singer Kelly Ogden and guitarist/singer Luis Cabezas at their shiniest and happiest. The video contains lethal levels of cute, as well as some random attempts to show their edge. It just makes them even more adorable.
6. Roger Clyne & The Peacemakers- Ain't Got the Words
Clever yet honest lyrics? Check. Roger singing like he means it? Check. Solid rock and roll, RCPM style? That's a big check. With the only really special track from "The Independent", one-time "Dave's song of the year" winner Roger Clyne lands in the top ten yet again.
5. The Gaslight Anthem- Dark Places
The Gaslight Anthem is just the latest in a long line of bands that resonate completely with me. The easiest way for a band to impress me is for the singer to sincerely bare his or her soul in song form, and "Dark Places" does exactly that, just as "The Backseat", "The Patient Ferris Wheel", and "Great Expectations" did last year when I became obsessed with their old album "The '59 Sound". 2014's "Get Hurt" delivered more than a few songs that measure up to that standard as singer/songwriter Brian Fallon continues his life's mission of putting too much blood on the page.
4. Against Me!- Black Me Out
As I said in yesterday's post, "Transgender Dysphoria Blues" is essentially an album about pain. Its stunning final track, "Black Me Out" takes all the pain, sorts it out, and puts it where it belongs. The pain of growth, of positive change? Keep it, it's powerful. The pain of decay, brought on by outside sources? It's useless. Let it out and let it be. As an autobiographical piece, this is Laura Jane Grace acknowledging that she's at the center of her own personal maelstrom, but at least she's still standing. As a statement for the fictional pseudo-character of the album, as well as all the amazing people who have died young, are dying young, and will die young because they had the bad luck of being born in the wrong body? It's a eulogy.
3. Local H- Team (Lorde cover)
I've heard Scott Lucas cover dozens of songs in my life. Good ones, bad ones, it doesn't matter. Coming out of him and his drummer, or just him with an acoustic guitar, they all sound incredible. This song is the reason I had to include the word "Almost" in my entry for #8 this year. This song melts faces, takes names, then gives those names to other people. Whose faces it then melts. For much of the year, I had this one holding the top spot. My current working theory is that Scott's from the future, wrote "Team", then gave it to Lourde so he could cover it. Think about it. Who has more right to say "I'm kinda over getting told to throw my hands up in the air": a 44 year old kinda-famous rocker from Zion, IL, or a precocious 18 year old from New Zealand (Or possibly Randy Marsh)? Yeah. I thought so.
2. The Gaslight Anthem- Mama's Boys
I've made a lot of mistakes in my life, but every now and then I'm just the victim of really bad timing. In April, I decided to give up binge drinking. I swore off liquor, stopped keeping beer in the house, and started drinking only when I went out, usually at concerts. So what happens in August? That's right, the greatest cry-in-your-beer song of all time is released as a bonus track on the new Gaslight Anthem album. And I'm never drunk enough to fully appreciate it. Like "Team", this is another one that held the top spot on this list, basically from its release on August 19th through to today. But it's not the winner. It can't be. Not this year.
1. Against Me!- Paralytic States
We wrap up 2014 in music with the penultimate track of Transgender Dysphoria Blues, the part of the story right before "Black Me Out", the part that puts us in the shoes of that transsexual prostitute on New Year's Eve as she loses her battle with gender dysphoria in a cheap motel room. The song is bone-chillingly terrifying to me, especially the verse that begins "Nighttime at the hotel...". I've listened to this song and every other song on TDB probably a hundred or more times this year, but "Paralytic States" never gets any easier to listen to, never loses any of its impact. I don't think it ever will. Typing those last two sentences convinced me that, with apologies to Local H and The Gaslight Anthem, this was my number one song of the year from the first listen. Nothing else ever really stood a chance.
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